'Five Wolves' (Wolf 2 - Phase 8-11) by Shane Wilson

Wolf 2 represented a challenge of its own - the face is partially turned away from the viewer, resulting in a 3/4 view. This is always a challenge when carving high relief, since the natural inclination is to 'correct' the perspective and carve the face full on, as if it were sculpted in the round.

The secret to carving the 3/4 face is to rely on the reference image completely, to trust it as a pilot trusts her instruments when there is no visibility. What seems right to the pilot in low visibility is not - if the instruments are disregarded the pilot's 'corrections' will often put the plane into a spiral. Likewise, what seems right to the carver is not - if the reference image or drawing is disregarded, the sculpture will end up looking wrong.

The key is to observe the larger planes (pun not intended) on both sides of the face. They are shaped differently. Because the mind thinks they should be proportional, it tends to adjust. Don't do it. Try to keep the shapes intact. If in doubt, measure both the shapes and the distances (eg. eye to cheek) to get them right.

Also, remember that as you carve into the antler, the planes, shapes and edges will need to be checked and adjusted. Happy carving!

'Five Wolves' (Wolf 2 - Phase 11) by Shane Wilson

'Five Wolves' (Wolf 2 - Phase 10) by Shane Wilson

'Five Wolves' (Wolf 2 - Phase 9) by Shane Wilson

'Five Wolves' (Wolf 2 - Phase 8) by Shane Wilson


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