'Skullpture Series - Moose: Gaia' (Right Antler - Phase 10) by Shane Wilson (carved bronze antler sculpture)

The carving seems to be designing itself as I go along. As the other half has become a flowing tapestry of life, particularly marine life, this half has adopted a linear, modern, industrial/technical feel.

Skullpture Series, Moose (right moose antler - in progress - phase 10) by Shane Wilson
Lately, I have been wondering about my longstanding preoccupation with the theme of duality, as reflected in the curves and angles of my sculpture.

The theme of duality represents polar opposite aspects of the human condition: left-right, rational-spiritual, capitalism-socialism, synthetic-natural, fundamentalism-freedom, complexity-simplicity, wealth-poverty, light-dark, us-them, open-closed, off-on, and so on.

It is hard to name an issue, problem, or topic where there isn't controversy or polarization.

Skullpture Series, Moose (right moose antler - in progress - phase 10) by Shane Wilson
But why do these aspects of duality, represented by curved and angled shapes, seem to want to appear together in my sculpture, creating a new, integrated form?

Perhaps the integration of opposites in my sculpture suggests an approach to resolving the dilemmas we face in our time: a holding together of opposite points of view or approaches within one solution.

One of the great problems we face today is human generated climate heating, predicted to adversely affect everyone and everything on Earth.

The integrative approach suggests the solution to climate heating will be found in both nature and technology, working together.

The climate crisis offers humanity the potential for a new beginning: a symbiotic relationship with all other living organisms and the planet itself.

That's a lot of freight for a few angles and curves in bone and bronze!

(moose antler bronze skull carving, moose antler bronze skull sculpture)

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