'Male Seahorse', 2007 by Shane Wilson - Stand (moose antler carving)
October 20, 2008
The commissioner of the Seahorses decided not to mount them in a shadow box, as I had anticipated. Instead, he created elegantly simple metal bases to allow the sculptures to present as freestanding.

While I initially preferred that the backs of the sculptures not be exposed (since they are unfinished), the stands do compliment the Seahorses quite well.
I have been told that visitors to the commissioner's house have remarked with amazement about the contrast between the rough antler and the finished carving. Check out the video clip (link below).

The Seahorses can be removed from the stands for closer examination due to the use of rare earth magnets, embedded in the wood backing, which otherwise secure the sculptures to the stands.

LINKS: YouTube - One visitor's reaction to the Seahorses
(moose antler carving, moose antler sculpture)


While I initially preferred that the backs of the sculptures not be exposed (since they are unfinished), the stands do compliment the Seahorses quite well.
I have been told that visitors to the commissioner's house have remarked with amazement about the contrast between the rough antler and the finished carving. Check out the video clip (link below).

The Seahorses can be removed from the stands for closer examination due to the use of rare earth magnets, embedded in the wood backing, which otherwise secure the sculptures to the stands.

LINKS: YouTube - One visitor's reaction to the Seahorses
(moose antler carving, moose antler sculpture)
'Female Seahorse', 2007 by Shane Wilson - Stand (moose antler carving)
October 20, 2008
The commissioner of the Seahorses decided not to mount them in a shadow box, as I had anticipated. Instead, he created elegantly simple metal bases to allow the sculptures to present as freestanding.

While I initially preferred that the backs of the sculptures not be exposed (since they are unfinished), the stands do compliment the Seahorses quite well.
I have been told that visitors to the commissioner's house have remarked with amazement about the contrast between the rough antler and the finished carving. Check out the video clip (link below).

The Seahorses can be removed from the stands for closer examination due to the use of rare earth magnets, embedded in the wood backing, which otherwise secure the sculptures to the stands.

LINKS: YouTube - One visitor's reaction to the Seahorses
(moose antler carving, moose antler sculpture)


While I initially preferred that the backs of the sculptures not be exposed (since they are unfinished), the stands do compliment the Seahorses quite well.
I have been told that visitors to the commissioner's house have remarked with amazement about the contrast between the rough antler and the finished carving. Check out the video clip (link below).

The Seahorses can be removed from the stands for closer examination due to the use of rare earth magnets, embedded in the wood backing, which otherwise secure the sculptures to the stands.

LINKS: YouTube - One visitor's reaction to the Seahorses
(moose antler carving, moose antler sculpture)
'Seahorses', 2007 (Finished) by Shane Wilson (carved moose antler)
December 17, 2007

LINKS: In Progress Slide Show: Male Seahorse, Female Seahorse
(moose antler carving, moose antler sculpture)
'Seahorses' (Female - Finished) by Shane Wilson (carved moose antler)
December 17, 2007
After a serious amount of further refining and polishing , both carvings are done! A 1" thick block of oak has been added to the back of each carving, joined with Liquid Nails, to avoid long term damage from screws in antler. The carvings will be fastened onto a back board by these wooden blocks.

LINKS: In Progress Slide Show - Female Seahorse
(moose antler carving, moose antler sculpture)


LINKS: In Progress Slide Show - Female Seahorse
(moose antler carving, moose antler sculpture)
'Seahorses' (Male - Finished) by Shane Wilson (carved moose antler)
December 17, 2007
After a serious amount of further refining and polishing , both carvings are done! A 1" thick block of oak has been added to the back of each carving, joined with Liquid Nails, to avoid long term damage from screws in antler. The carvings will be fastened onto a back board by these wooden blocks.

LINKS: In Progress Slide Show - Male Seahorse
(moose antler carving, moose antler sculpture)


LINKS: In Progress Slide Show - Male Seahorse
(moose antler carving, moose antler sculpture)
'Seahorses' (Female - Phase 12) by Shane Wilson (carved moose antler)
November 06, 2007
In this phase, the carving has been cleaned up, and by this I mean, attention has been paid to the corners and small areas, to make the overall impression crisper and sharper. I have added the lines, indicating the plates or divisions on the seahorse's body.
All that remains now is to sand and polish, then apply a backing, which will enable the carving to be mounted in a shadow box.

(moose antler carving, moose antler sculpture)

All that remains now is to sand and polish, then apply a backing, which will enable the carving to be mounted in a shadow box.

(moose antler carving, moose antler sculpture)
'Seahorses' (Female - Phase 10) by Shane Wilson (carved moose antler)
October 30, 2007
The level of detail in this carving may be a little over the top, to be sure, but the overall effect seems to be working. Each tiny section takes several hours to complete. I have been using dental burrs to create the fine detail.

The design evolves, becoming concrete in the carving process.
(moose antler carving, moose antler sculpture)


The design evolves, becoming concrete in the carving process.
(moose antler carving, moose antler sculpture)
'Seahorses' (Female - Phase 7) by Shane Wilson (carved moose antler)
January 07, 2007
In this phase, I have transferred the pattern from the original concept drawing to the antler. I have made a few changes to reflect the 3D surface of the antler. I will now begin the process of roughing out the shapes, making decisions about high and low points and the way in which the 2D concept will be realized in high relief.


(moose antler carving, moose antler sculpture)



(moose antler carving, moose antler sculpture)
'Seahorses' (Male - Phase 11) by Shane Wilson (carved moose antler)
December 03, 2006
'Seahorses' (Male - Phase 10) by Shane Wilson (carved moose antler)
December 02, 2006
In this phase, I have used a variety of precise carbide burrs, with a 1/8" shank or less, to rough out the designs on the raised oval areas.
While carving the design into the antler over the last few days, I have wondered about the meaning of the squiggles beneath my tools. All of the squiggles emerged from the texture evident in the photograph of the seahorse. Some of the squiggles have taken on the appearance of familiar things. But what do they mean? I then wondered if there was any meaning at all in what I do.

It occured to me that, in isolation, the sqiggles and shapes meant nothing. It is only when they are taken together that something happens within the observer - just as the individual notes of a symphony mean nothing and yet something happens, within the listener, when they are played together. The meaning is not so much rational, or something that can be reduced to words and phrases, but , what? Emotional? Spiritual? I'm not really sure these overused categories are able to describe the kind of effect I am talking about. The experience of the overall design can generate an altered state within the observer, one of warmth, pleasure, or excitement. It takes one to a different place within oneself, from which one returns a little richer ...
(moose antler carving, moose antler sculpture)

While carving the design into the antler over the last few days, I have wondered about the meaning of the squiggles beneath my tools. All of the squiggles emerged from the texture evident in the photograph of the seahorse. Some of the squiggles have taken on the appearance of familiar things. But what do they mean? I then wondered if there was any meaning at all in what I do.

It occured to me that, in isolation, the sqiggles and shapes meant nothing. It is only when they are taken together that something happens within the observer - just as the individual notes of a symphony mean nothing and yet something happens, within the listener, when they are played together. The meaning is not so much rational, or something that can be reduced to words and phrases, but , what? Emotional? Spiritual? I'm not really sure these overused categories are able to describe the kind of effect I am talking about. The experience of the overall design can generate an altered state within the observer, one of warmth, pleasure, or excitement. It takes one to a different place within oneself, from which one returns a little richer ...
(moose antler carving, moose antler sculpture)
'Seahorses' (Male - Phase 9) by Shane Wilson (carved moose antler)
November 13, 2006
'Seahorses' (Male - Phase 8) by Shane Wilson (carved moose antler)
August 06, 2006
In this phase, the larger design elements on the body have been carved out in rough. I will leave the head for a bit to insure that its design will integrate with the final design of the body. The next step will be to place within and between the ovals the detailed design structure.


(moose antler carving, moose antler sculpture)



(moose antler carving, moose antler sculpture)
'Seahorses' (Female - Phase 5) by Shane Wilson (carved moose antler)
December 08, 2005
In this phase, I have refined the outline on both seahorses and added a grid for the initial roughing out of the planes. The edging might look like a simple task, but it is a challenge to refine the shapes down through the material, keeping the edges straight despite the curving plane of the antler and the varying thicknesses of the material.

(moose antler carving, moose antler sculpture)


(moose antler carving, moose antler sculpture)
'Seahorses' (Male - Phase 5) by Shane Wilson (carved moose antler)
December 08, 2005
In this phase, I have refined the outline on both seahorses and added a grid for the initial roughing out of the planes. The edging might look like a simple task, but it is a challenge to refine the shapes down through the material, keeping the edges straight despite the curving plane of the antler and the varying thicknesses of the material.

(moose antler carving, moose antler sculpture)


(moose antler carving, moose antler sculpture)
'Seahorses' (Female - Phase 4) by Shane Wilson (carved moose antler)
November 19, 2005
'Seahorses' (Female - Phase 2) by Shane Wilson (carved moose antler)
October 18, 2005
The image has been cut from the antler using a band saw. I changed the blade prior to making the cuts and found the new blade cut well and held a line. It seems that after a while a band saw blade will start to stray, making precise cuts impossible.
In this case, both seahorses were roughed out, leaving room on the edges for later developments and design considerations. Since the blade used was 3/8" in depth, the cuts were not contoured exactly to the design.

As you can see from the side shots, the antler is quite thick at the tip of the tail, which should allow for an effect that will emulate the seahorse if it were realized 'in the round.'

The next step will be to determine the actual borders of the design and to reduce the antler to that border with the band saw and burrs.

(moose antler carving, moose antler sculpture)

In this case, both seahorses were roughed out, leaving room on the edges for later developments and design considerations. Since the blade used was 3/8" in depth, the cuts were not contoured exactly to the design.

As you can see from the side shots, the antler is quite thick at the tip of the tail, which should allow for an effect that will emulate the seahorse if it were realized 'in the round.'

The next step will be to determine the actual borders of the design and to reduce the antler to that border with the band saw and burrs.

(moose antler carving, moose antler sculpture)
'Seahorses' (Male - Phase 2) by Shane Wilson (carved moose antler)
October 18, 2005
The image has been cut from the antler using a band saw. I changed the blade prior to making the cuts and found the new blade cut well and held a line. It seems that after a while a band saw blade will start to stray, making precise cuts impossible.
In this case, both seahorses were roughed out, leaving room on the edges for later developments and design considerations. Since the blade used was 3/8" in depth, the cuts were not contoured exactly to the design.

As you can see from the side shots, the antler is quite thick at the tip of the tail, which should allow for an effect that will emulate the seahorse if it were realized 'in the round.'

The next step will be to determine the actual borders of the design and to reduce the antler to that border with the band saw and burrs.

(moose antler carving, moose antler sculpture)

In this case, both seahorses were roughed out, leaving room on the edges for later developments and design considerations. Since the blade used was 3/8" in depth, the cuts were not contoured exactly to the design.

As you can see from the side shots, the antler is quite thick at the tip of the tail, which should allow for an effect that will emulate the seahorse if it were realized 'in the round.'

The next step will be to determine the actual borders of the design and to reduce the antler to that border with the band saw and burrs.

(moose antler carving, moose antler sculpture)
'Seahorses' (Beginning) by Shane Wilson (carved moose antler)
October 13, 2005
I have been commissioned to carve two seahorses in antler, with the proviso that they be realized in an abstract fashion, with the duality theme (angles and curves).
After considerable research into the seahorse, I have settled on two seahorses of the barbouri type. They have interesting protrusions, or barbs (though their names come from the fact that they are found in the Sea of Barbour) and a very nice shape. As with all seahorses, the male caries the young, and this fellow is no exception. He is 'pregnant' as evidenced by his pouch, just above the tail.

I am not certain how I will realize the abstract theme within the shapes of the seahorses, but the male will likely be predominantly curvy (using ovals, circles and cones) and the female will be realized using angular shapes (rectangle, square, pyramid).
They will be carved from separate antlers, due to their size, and be mounted together in a shadow-box frame.
(moose antler carving, moose antler sculpture)

After considerable research into the seahorse, I have settled on two seahorses of the barbouri type. They have interesting protrusions, or barbs (though their names come from the fact that they are found in the Sea of Barbour) and a very nice shape. As with all seahorses, the male caries the young, and this fellow is no exception. He is 'pregnant' as evidenced by his pouch, just above the tail.

I am not certain how I will realize the abstract theme within the shapes of the seahorses, but the male will likely be predominantly curvy (using ovals, circles and cones) and the female will be realized using angular shapes (rectangle, square, pyramid).
They will be carved from separate antlers, due to their size, and be mounted together in a shadow-box frame.
(moose antler carving, moose antler sculpture)





















